Luise Schröder - Strömungen in Bewegung Colour Photography

Luise Schröder - Strömungen in Bewegung Colour PhotographyFotohof Editions 2025 "Women, do you know why we've gathered here today? It's about the upheaval of society as a whole." Even 30 years after German reunification, the experiences of women's and lesbian groups in the GDR remain largely unknown. They represent a historical void, both in relation to the narratives of the Cold War and in relation to a pan German women's history. In Luise Schrder's artistic works, photographs, videos, and publications, the

curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago — he found Strand’s views of New England “boring” at the time — and also wondering

the correctional facility was part of an ongoing normalisation experiment that sought to mitigate the psychological consequences of incarceration

which served as a networking and information exchange platform between lesbian groups and individual women

staged imagery

‘I tried to find ways to express the diffuse of feelings of growing up in the ‘time of corona

Xavier Ribas

a space where boys (and the occasional

CHARRED CELL emerges from an extended period of visual research into the clinical estrangement of domestic environments

Mostly unpublished

Coincidence: Ute marries Werner in 1973

which offer a rare look at the rich process by which the artist develops her ribald menagerie of characters

Drawing inspiration from the imagery associated with this myth and its pervasiveness in Indian everyday life